![]() ![]() Iranian filmmaker Abbas Kiarostami became one of the most respected filmmakers in the international community since he started making films in the 1970s until his death in 2016. With these characters, Kieslowski is always looking for way to convey the interior journey, and this led him to expand the expressive threshold of film form and find new means of expression. The complexity of Kieslowski can be seen also in the Decalogue, which is based on the 10 commandments, and consists in them chapters in which characters are developed according to each commandment. The trilogy was made in France and is based on the three colors of the French flag in this trilogy, the themes associated with the three colors of the flag are developed and related with a careful and complex emotional construction, sometimes portraying characters that have to get rid to the past or deal with moral dilemmas. The Polish filmmaker worked closely with screenwriter Krzysztof Piesiewicz in some of the most complex and moving films in history that are grouped in a trilogy and a Decalogue. Another aspect of Tarr that tells us much about his cinema is the specific conditions in which he likes to work he does not like screenplays and he always works with celluloid. He see the culmination of this language in “The Horse of Turin” made in 2011, the films of which he speaks as the end of his career.Īfter this film, Tarr has said that he wants to dedicate himself to the instruction of the new generations of filmmakers. Tarr has described his career as a continuous development of a specific and personal language. His view involves seeing himself more as a worker than as an artist and he also believes in the possibility to develop a language beyond the classic conventions of cinema. As every great filmmaker, Tarr has a very particular view on filmmaking and film form. Hungarian director Béla Tarr is a very special filmmaker who has made barely nine films since he started in 1977 with “Family Nest,” but whose films are extremely ambitious and unique projects.įilms such as “Satantango,” which was made in 1994 and is more than 400 minutes long, are example of the radical films that Tarr made. Here is a list on some of the greatest directors of the so-called art house films. These films are created with a very specific style crafted by directors with specific artistic intentions, who want to create films that go beyond what the viewer is expecting to see. ![]() This ambition has led some filmmakers to develop languages and mechanisms that have expanded film form, and have given us some of the greatest cinematic experiences of film history. These films are done in very different schemes than the commercial ones, most of the time by directors who are interested in conveying a particular point of view of life. But there also some films that have more artistic ambitions, rather than commercial ones. There are many kinds of films some of them are crafted with big audiences in mind and thus created in common codes and conventions. ![]()
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